Here are a couple shots from the wedding with some commentary on my style and method:
I find a bit of a tilt can add to a unique composition. Here I placed the flowers on the right to add color to the composition and the building and title stone above to give a sense of the place. Hopefully the eye is drawn first to the couple then takes in the scene around them. During formals I will do some posing where necessary, Jen and Andrew mostly were already in position and did not need much instruction. The most important tools I use are my eyes and my feet. I am always scanning a scene and looking for images. I am very tired at the end of a wedding because I am always walking, climbing and crouching to find the right angle and position for my photos. I was capturing the room details when I glanced back and noticed the bridal door was cracked open. I took a few shots allowing the door to frame Jen naturally. One of the bridesmaids then came over and snapped her own shot with her cell phone. I would have missed this great shot if I had not been scanning the room.
During the ceremony I always have two cameras; one with a telephoto (for close ups) and one with a wide to medium zoom (for wider shots) I want to capture every moment that I can as quickly as possible. I will quietly change positions to capture close ups of the bride and the groom and some shots of the officiant and crowd as well. This was as Jen was reading her vows to Andrew. I also converted it to black and white and added a vignette (darkening the corners) to simplify and focus the image just on Jen. I always do some custom images like this even when the client has not paid for custom prints or albums.
The reception is a great time to capture the bride and groom and their guests. They are relaxed and just having a good time at that point. I am wandering the room scanning and trying to capture everyone in a natural unposed state of fun. Great moments like these are always in abundance at a wedding you just have to seek them out and be observant. If you are constantly planning what you will shoot rather than observing you will miss many of the real moments.
Josh
Joshua Kline Productions
www.jklineproductions.com
626-676-4458
Joshua Kline Productions
www.jklineproductions.com
626-676-4458
